神秘主义，概念，末世感，高级惊悚感的输出，communication breakdown 。前30分钟可以入选21世纪最佳恐怖/惊悚片片段。

双线叙事，儿时校园霸凌的线紧紧围绕复仇线，相映成趣。同样是校园霸凌受害者，男主被复仇蒙蔽双眼和男二自私、软弱、虚伪的形象真是饱满又立体，戏剧冲突满满。女主的设定虽然有点工具化，但提供了第三方看待校园霸凌的视角，对校园霸凌的展现和探讨极其全面且深刻，22 年最佳韩剧，没有之一

看这个片子的时候是我还在上小学的一个寒假，尽管很喜欢但是显然很多东西是看不太明白的，现在回想起来观后感大概就属于“不明觉厉”吧。22年后再看，觉得，嘿～我小时候品味不错啊！！！很遗憾，改革开放40年的时候也有类似的片子，但显然不是能够与这部比肩的——这一点上就很能说明我们国家的一些问题了。

Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.

补。好像跳过2直接看了3，这部因为荡气回肠的爱情而出名，女主角是CSI的SM女王Lady Heather